Not Too Brief Explanations Pt. 1

June 26, 2011 at 2:28 am (General costuming, Updates) (, , , , )

So I lied. Again.

And this time I’m actually really sorry.

The fact of the matter is, I ran out of time to post. My bed time was swiftly approaching and by the time I published my update post I was at T-minus 6 and a half hours before my alarm went off. Patting myself on the back for doing such a great job on managing my time has become rather redundant lately so no need to comment about it.

Anyways on to the explanation of projects:

Wool Redingote

[On indefinite hold]

There are so many pieces to this project that at the moment it would be impossible to manage them in the small space that I have been alloted. It is not a small project by any means but I’m working on it a little at a time. While on a four day vacation to my boyfriend’s home town I drew up a few patterns and decided that I didn’t like them and I would start over but examine the patterns I had chosen to draw from – ‘Man’s Suit’, La Couturiere Parisienne; ‘The Jacket of a Riding Habit’ and ‘A Caraco Jacket’, Patterns of Fashion 1 Janet Arnold –  closer than before. And that is where I have practically stopped. I’ve become frustrated with it and just  the thought of having to make up toiles and fit it gives me a headache. I feel as though I’m developing Edgar Allen Poe syndrome, driven to an almost brilliant madness because of lack of space and time. Any minute now I’ll be comparing the thundering thoughts of my projects to the violently beating heart of someone about to get attacked and stuffed beneath floorboards…

Steam Warrior:

[on indefinite hold]

This project is all about resourcefulness. Or at least trying to convey resourcefulness and a deep connection to the earth all at the same time. Sort of like the young girl in the music video for Fever Ray’s ‘When I Grow Up’. [Just an FYI, it sounds nothing like the song with the same name ‘sung’ by a group of strippers. So if you’re into that you will probably be dissappointed.] There are leaf elements in the bust part of the bodice as well as the ‘body wrap’ portion. In one of the posts prior to this there is a picture of my sketch to help clarify what I’m talking about. There is a mimicked grass skirt with a feather overlay to give it a bit of glamour [?]. And the odd matrix of spandex? Well that’s just for aesthetic reasons as well as to make my belly seem not as naked. I’ve considered wearing an underbust corset to solve that issue as well.

As for the headress…well…

I loved beading it until I got to finally to filling in the shapes. I was having the worst of times trying to fill it all in. Nothing looked right. I wanted it to look as though they had been sprinkled on like glitter on glue, not lined up in neat little rows. I did, however, find that stitching on beads one by one into a sort of embroidery peyote stitch was working out just fine but it took literally forever. That and it would have meant that all my time outlining would have been wasted. There was no way it would have looked right within the beaded outlines. Thankfully, the very entertaining beading guru that is TSummerlee saved my life by posting a few videos on Iroquois raised beadwork. I gave this Iroquois technique a go, once she figured it out and posted a mini tutorial, and I’m in love with the amount of dimension and character it demands. Much better than relying solely on the different cuts, finishes, and variety of beads I’ll be using to create  a bit of drama.  I will have to order more beads for this though as it eats them up like no one’s business! So, once I have the funds I’ll splurge on a big bag of them just to have them ready to go for when I move and have room to sprawl out and really work at it.

Sample shape worked in 11/0 seed beads from Joanns; Darice brand aka worse then Czech seed beads in terms of uniformity.

 

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